Why I wrote about Spider-Man

Although my primary area of specialization is urban studies, I recently published an article entitled “Fear of a Black Spider-Man: Racebending and the Color-Line in Super Hero (Re)Casting” that is now online ahead of print. In this blog post, I figured I’d talk a bit about why I wrote that piece and link it to why I think personal interests, research, and teaching are closely connected.

My article seems timely given the recent news that there will be a new Spider-Man movie starring a new actor produced under the watch of Marvel. It may also seem timely given the recent suggestion that Idris Elba play James Bond or the recent news of Mehcad Brooks playing Jimmy Olsen in the upcoming Supergirl television show. However, this is not a new issue and the issues of race, racebending, and casting is a recurring debate amongst fans of superheroes and other genres. This debate is something that I have been following as both a fan and a social scientist for the past few years. However, this is my first research article on the topic.

The origin of my work on race and superheroes goes back to my dissertation. In a chapter, I use Zorro to discuss the not-so-fine line artists, authors, and writers walk when they appropriated non-WASP culture for popular dissemination. I specifically discuss how Johnston McCulley was very careful to make Zorro of Spanish and not Mexican descent. This choice to make Zorro specifically European was not simply to tell a good story. It was a choice that was influenced by racial attitudes of the time. However, my dissertation wasn’t about Zorro or superheroes. It was about the use of “Spanish” culture in California’s built environment and visual culture.

The reason why I became interested in the Donald Glover controversy is that I enjoy comic books, superhero movies, and video games. However, as a critical social scientist, I cannot help but be persistently aware of the under-representation of different groups in popular culture. As a sociologist, I’m always using my “sociological imagination” to see the connection between aspects of everyday life to larger social realities. Essentially, I wanted to put my training and curiosity to use, while digging deeper into something I enjoy.

Another reason why I chose this project is that I wanted to do something different. I wanted to explore a different topic and employ different methods to test myself. To put it simply, I made myself write this article for the same reasons why I make my students write papers. Doing the research and writing the paper allows me to develop and test my skills and knowledge in another area of interest.

Finally, I was teaching courses on race and ethnicity every semester when I was working on this project. So reviewing the literature, conducting the research, and writing helped me in the classroom. Bringing this research into the classroom – partially since it was about Spider-Man – was enjoyable for both myself and my students. It was a fun way to show my students the connection between personal interests and research.

It’s unlikely that I’ll continue to do research on superheroes, but I think it’s an exciting time to be a fan. The news that Spider-Man can be included in the Marvel Cinematic Universe, the coming Captain Marvel and Black Panther movies, as well as the recent shake up of the Avengers in the comic books are intriguing on so many levels.

Fortification and Philip K. Dick: Southern California’s Boundaries

My paper involves film, literature, and architecture as expressions of the vernacular landscape across time. Philip K. Dick’s dystopian visions, although often set in distant futures, reveal a great deal about the role space plays in late capitalist society (particularly in Southern California). Although the main emphasis of my paper is on Total Recall(1991), my paper will also briefly mention some other Dick-inspired films such as Blade Runner (1982), Minority Report (2002), Paycheck (2003), and the soon to be released Scanner Darkly (2006). What is interesting to me is that these films draw on local source material, and the architectural styles used in filmmaking reflect local architectures and uses of space. The security of brutalist buildings found in the films have parallels with the anti-drug and immigration policies of the United States at the time Dick wrote the original stories. Even more important, these themes still resonate today.

Presentation for the International Visual Sociology Association @ Universita degli Studi di Urbino “Carlo Bo” (July 4, 2006)

Fortification and Visual Culture in Southern California

  • Presentation for Crossing the Boundaries XIV @ SUNY Binghamton (April 22, 2006)
My paper specifically focuses on the relationship between literature, film, and architecture since the 1970s as being constitutive of the experience of Southern California. Specifically, it is about the ways in which visual representation and the built environment have been centered around the notions of fortification and boundary. Southern California has long been thought of as a frontier, and arguably it did not close at the close of the 19th century. As a result the built environment and visual culture as continuously organized space similar to frontier outposts – from the U.S. Mexico Border to LAX.